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In a Letter to Television Without Pity

The new season of Doctor Who started this past weekend, and TWoP had this blog post up about what they want for the latest go-around.

When I got to the comments, I was very surprised at what people were saying about Jacob, the recapper for Doctor Who at Television Without Pity. In case you didn’t know, I’m quite a fan (exhibit 1, exhibit 2, and exhibit 3) of his.

I know he’s not everyone’s cup of tea, but the level of angry dismissiveness shocked and, quite frankly, angered me.

Really? You want TWoP further dumbed down and smoothed out? It’s still better than every official thing out there, but since going corporate, the site is certainly not what it was.

I’m not being pie in the sky about all that. I know the realities of web businesses but I, too, want my say.

So I wrote the following letter and sent it in to their Powers That Be (a phrase I started using thanks to TWoPers). And I’m making it public here to stake my stand.

[start letter]
Dear TWoP,

In reading through the comments to the Doctor Who mini-feature, I saw that there are several voices that advocate the removal of Jacob as the recapper for the show.

I wanted send you a note to say that I am very pro-Jacob.

One commenter has a good point that the pro-Jacob people tend to be fans of Jacob rather than of the show(s) he’s handling at the time. I think that’s valid, but I also think that TWoP has traditionally been about writers putting their stamps on coverage.

I’ve been around since the Mighty Big TV days. Specifically, I can cite Miss Alli as the person that practically taught me how to watch reality TV intelligently. She didn’t just reap; she analyzed. And that’s why I would read her, even for shows that I didn’t actually watch.

Like Miss Alli, Jacob brings something extra to his recaps.

I’m fond of saying that sci-fi is applied philosophy. As such, I find his offerings especially fitting. Yes, his recaps challenge me, but my viewing of shows like Battlestar Galactica and Doctor Who have been enriched by his observations. I like his write up for the movie Serenity more than I liked the movie.

I can get summaries of episodes almost anywhere now. I come to TWoP for more.

Snark, to me, is not simply about ridicule. It’s about pointing out as stupid—the things that should and could be done better. TWoP is about a higher level of pop engagement.

I know that there are other considerations in play now, and that the old days are not coming back. But, TWoP built a fanbase based on things like Jessica having her Mulder and Scully dolls dialogue in the middle of her The X-Files recaps. I’ve noticed that the recappers today do not have as much freedom to nickname and play away like they used to do.

But Jacob remains unique, relevant, and valid. As such, I continue to be his fan, and I wanted to make sure that my voice is heard in this conversation.

Very sincerely,

Movie: Red

RedI was surprisingly amused by this movie. The gimmic of the flick involves getting venerated older thespians, such as Helen Mirren, Morgan Freeman, and John Malkovich, to play action heroes. They all make it work and kick sufficient butt.

Strangely, I would say that the action sequences are what make this movie feel different. Instead of over-the-top explosions and running and yelling everywhere, there are single-focused moments that make it feel almost intimate yet bold at the same time.

There, however, is something very disturbing about making the agents of killing and dying seem like they are so much fun.

Book: The Curious Incident of the Dog in the Night by Mark Haddon

The Curious incident of the Dog in the Night Mark HaddonChristopher Boone, the narrator and main character of The Curious Incident of the Dog in the Night, is a teenager with autism. He finds his neighbor’s dog murdered one day and decides to solve the mystery because detectives, especially his favorite Sherlock Holmes, do things systematically and logically. This soothes his mind.

Not surprisingly, his investigations lead to a lot of secrets that an adult reader will probably see coming from dozens of pages back. But that is not the point.

The point is that Christopher tells us what happens and tries to explain his perspective on things. I’m not sure what Mark Haddon‘s background is with autism, and I’m sad to say that I don’t know enough about the condition to know if this is an accurate depiction or not. But it is very interesting.

There is a lot of humor in the beginning, but then I got sad because this boy is so trapped in how his brain functions, and the world is never going to change to allow him to feel right within it. But… as Christopher tells us, we all have “special needs.” We just choose to not label everyone that way.

This is a very creative take on a mystery novel and a coming-of-age story. You won’t be able to help being utterly charmed by Christopher. And perhaps, if you are like me, feel so frustrated and guilty that you wouldn’t know how to help him either.

1001 Books To Read Before You Die list: 92 down.